Visual Design
Editorial Design







Okay_Genz
Social media
Illustration


2022
Project group
Martina Bracchi, Silvia Casavola,
Simone Cerea, Alexandra Chiojdeanu, Greta Cozza, Giuseppe Defilippis, Stefano Gubiolo, Alessandro Pedriali, Donato Renzulli, Matteo Visini


Mauro Genzi is a fictional retired graphic designer who decides to share his thoughts on social media, using his skills in line with the latest graphic trends. His visual language ironically references the aesthetic of “buongiornissimo” memes reinterpreting them through the lens of contemporary graphic design.

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Eye to AI
Data Visualization
Web Design


2023
Project group:
Anna Cattaneo
Yiyuan Hu
Lara Macrini
Nicole Moreschi
Leonardo Puca
Ce Zheng


Eye to AI questions how artificial intelligences interpret the issue of climate change. The project brings together the debate on technological neutrality and the climate crisis.
It was developed using a finite set of images, but its logic allows for infinite expansion — even into other topics.
This work was created during the Density Design Lab at Politecnico di Milano.

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Arte Rupestre Valle Camonica
Brand Identity

2020
Project group:
Alessandro Andreoni
Alessia Francesca
Letizia Rivolta

This project stems from the idea of bringing the visual identity of the UNESCO site of Valle Camonica closer to a contemporary audience. I worked on a new communication system that starts with the signs engraved in the rock and transforms them into an accessible, contemporary graphic language that respects its origins. From the logo to the website, every element seeks to enhance the link between memory and territory, without forgetting the need to be clear, inclusive and visually recognisable. 


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Album di Famiglia
Illustration



2020

A series of five illustrations created for five different performances, each telling anecdotes and stories about family life. 


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Hortulus Litterarum
Illustration
Print


2021
A series of handmade linocut prints created for my bachelor’s thesis project. Each illustration was printed individually and bound into the final book, adding a tactile and symbolic layer to the text.
The subjects explore different themes, enriching the publication with a visual dimension that complements and dialogues with the written word.

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Hortulus Litterarum
Thesis Project
Print

2021
Typeface
Bembo (Francesco Griffo), Monotype

Inside paper
Arena Fredrigoni, Natural Rought,
90g/m2 - 120g/m2

A contemporary reinterpretation of Paolo Santarcangeli’s Hortolus Litterarum (1965), exploring signs, meanings, and symbols through editorial design. 

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Milton Glaser
Monograph
Print


2020
Typeface
Apercu (The Entente), Colophon

Inside paper
Limestone Fedrigoni, Materica, 120 g/m2

Project group:
Alessia Francesa, Matteo Paoli

My first editorial design project: a monograph exploring
Milton Glaser’s social and political work through layout, typography, and visual experimentation.

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Forme Combaciate
Letterpress

2025
Design by Archivio Tipografico

Typeface
Helvetica tondo chiaro

Inside paper
L’Amatruda 200 g/m2

Created for the 100th anniversary of Giancarlo Sangregorio’s birth, this book brings together his original poems and engravings. Entirely printed at Archivio Tipografico using movable type and intaglio techniques, it is the result of a close collaboration between printers and the Sangregorio Foundation — a dialogue of poetry, material, and form.

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HANGEUL:
una rivoluzione fatta di lettere

(한글: 문자로 이루어진 혁명)
Thesis Project
Print


2024
Typeface
Joly Text, Blaze Type.
Joly Headline, Blaze Type.
Aktive Grotesk, Dalton Maag

Inside paper
Arena Fredrigoni, Natural Rought,
 140g/m2

The final project I’d like to present is my Master’s thesis — a year-long research journey inspired by my trip to South Korea.
This work explores the rich history and evolution of Hangeul, Korea’s unique writing system, blending my passion for communication design with cultural exploration.

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Silvia Sghirinzetti Portfolio Index